Hippie girl painting 2018

Date: 15.10.2018, 00:46 / Views: 74553
Закрыть ... [X]

"Hippies" redirects here. For the British comedy series, see. For the garage rock album, see.

Not to be confused with or.

Young people near the festival in August 1969

A hippie (sometimes spelled hippy) is a member of hippie a, originally a that began in the during the mid-1960s and spread to other countries around the world. The word came from and used to describe who moved into New York City's and San Francisco's district. The term hippie first found popularity in San Francisco with, who was a journalist for the.

The origins of the terms and hep are uncertain. By the 1940s, both had become part of slang and meant "sophisticated; currently fashionable; fully up-to-date". The Beats adopted the term hip, and early hippies inherited the language and of the. Hippies created their own communities, listened to, embraced the, and many used drugs such as,, and to explore.

In 1967, the Human Be-In in, San Francisco, popularized hippie culture, leading to the on the West Coast of the United States, and the 1969 on the East Coast. Hippies in Mexico, known as, formed and gathered at, while in New Zealand, nomadic practiced alternative lifestyles and promoted sustainable energy at. In the United Kingdom in 1970, many gathered at the gigantic with a crowd of around 400,000 people. In later years, mobile "peace convoys" of made summer to free music festivals at and elsewhere. In Australia, hippies gathered at for the 1973 and the annual Cannabis Law Reform Rally or. "", a major hippie event in Chile, was held in 1970.Hippie and psychedelic culture influenced 1960s and early 1970s young culture in countries in Eastern Europe (see ).

Hippie fashion and values had a major effect on culture, influencing, television, film, literature, and the arts. Since the 1960s, mainstream society has assimilated many aspects of hippie culture. The religious and the hippies espoused has gained widespread acceptance, and and spiritual concepts have reached a larger audience.

Contents

Etymology[]

Main article:

, the principal American editor of the, argues that the terms hipster and hippie derive from the word, whose origins are unknown. The word hip in the sense of "aware, in the know" is first attested in a 1902 cartoon by, and first appeared in prose in a 1904 novel by George Vere Hobart (1867–1926), Jim Hickey: A Story of the One-Night Stands, where an African-American character uses the slang phrase "Are you hip?"

The term hipster was coined by in 1944. By the 1940s, the terms hip, hep and hepcat were popular in slang, although hep eventually came to denote an inferior status to hip. In in the early 1960s,, young advocates were named hips because they were considered "in the know" or "cool", as opposed to being. In the April 27, 1961 issue of The Village Voice, "An open letter to JFK & Fidel Castro", Norman Mailer utilizes the term hippies, in questioning JFK's behavior. In a 1961 essay, used both the terms hipster and hippies to refer to young people participating in black American or nightlife. According to 's 1964 autobiography, the word hippie in 1940s Harlem had been used to describe a who "acted more than Negroes". refers to "all the Chicago hippies," seemingly in reference to black blues/R&B musicians, in his rear to the 1965 LP

The word hippie was also used in reference to Philadelphia in at least two popular songs in 1963: by, and by. In both songs, the term is applied to residents of Philadelphia's.

Although the word hippies made other isolated appearances in print during the early 1960s, the first use of the term on the West Coast appeared in the article "A New Paradise for " (in the, issue of September 5, 1965) by San Francisco journalist Michael Fallon. In that article, Fallon wrote about the Blue Unicorn Cafe () (located at 1927 Hayes Street in the Haight-Ashbury district of San Francisco), using the term hippie to refer to the new generation of beatniks who had moved from into the district. editor and usage writer said the paper changed the spelling from hippy to hippie to avoid the ambiguous description of clothing as hippy fashions.[]

History[]

Main article:

Origins[]

A July 1968 study on hippie philosophy credited the foundation of the hippie movement with historical precedent as far back as the of India, the spiritual seekers who had renounced the world by taking "". Even the counterculture of the, espoused by philosophers like and the were also early forms of hippie culture. It also named as notable influences the religious and spiritual teachings of,,,,,, and.

The first signs of modern "proto-hippies" emerged in. Between 1896 and 1908, a German youth movement arose as a countercultural reaction to the organized social and cultural clubs that centered around German folk music. Known as ("wandering bird"), the hippie movement opposed the formality of traditional German clubs, instead emphasizing amateur music and singing, creative dress, and communal outings involving hiking and camping. Inspired by the works of,,, and, Wandervogel attracted thousands of young Germans who rejected the rapid trend toward urbanization and yearned for the, back-to-nature spiritual life of their ancestors. During the first several decades of the 20th century, Germans settled around the United States, bringing the values of the Wandervogel with them. Some opened the first, and many moved to where they could practice an alternative lifestyle in a warm climate. Over time, young Americans adopted the beliefs and practices of the new immigrants. One group, called the "Nature Boys", took to the California desert and raised organic food, espousing a back-to-nature lifestyle like the Wandervogel. Songwriter wrote a hit song called inspired by Robert Bootzin (), who helped popularize health-consciousness,, and in the United States.

American tourists in Thailand, early 1970s

Like Wandervogel, the hippie movement in the United States began as a youth movement. Composed mostly of white teenagers and young adults between 15 and 25 years hippie girl painting 2018 old, hippies inherited a tradition of cultural dissent from and of the in the late 1950s. Beats like crossed over from the beat movement and became fixtures of the burgeoning hippie and anti-war movements. By 1965, hippies had become an established in the U.S., and the movement eventually expanded to other countries, extending as far as the United Kingdom and Europe, Australia, Canada, New Zealand, Japan,, and Brazil. The hippie ethos influenced and others in the United Kingdom and other parts of Europe, and they in turn influenced their American counterparts.Hippie culture spread worldwide through a fusion of,,, and ; it also found expression in literature, the dramatic arts,, and the visual arts, including film, posters advertising rock concerts, and covers. In 1968, self-described hippies represented just under 0.2% of the U.S. population and dwindled away by mid-1970s.

Along with the and the, the hippie movement was one of three dissenting groups of the 1960s counterculture. Hippies rejected established institutions, criticized values, opposed and the, embraced aspects of, championed, were often and, promoted the use of which they believed expanded one's consciousness, and created or. They used alternative arts,,, and as a part of their lifestyle and as a way of expressing their feelings, their protests and their vision of the world and life. Hippies opposed political and social orthodoxy, choosing a gentle and nondoctrinaire ideology that favored peace, love and personal freedom, expressed for example in ' song "". Hippies perceived the dominant culture as a corrupt, monolithic entity that exercised undue power over their lives, calling this culture "", "", or "". Noting that they were "seekers of meaning and value", scholars like have described hippies as a.

1958–1966: Early hippies[]

Escapin' through the lily fields
I came across an empty space
It trembled and exploded
Left a bus stop in its place
The bus came by and I got on
That's when it all began
There was cowboy Neal
At the wheel
Of a bus to never-ever land

–, lyrics from "That's It for the Other One"

During the late 1950s and early 1960s, novelist and the lived communally in California. Members included Beat Generation hero,,,,,,, Sandy Lehmann-Haupt and others. Their early escapades were documented in 's book. With Cassady at the wheel of a school bus named, the Merry Pranksters traveled across the United States to celebrate the publication of Kesey's novel and to visit the 1964 in New York City. The Merry Pranksters were known for using,, and, and during their journey they "turned on" many people to these. The Merry Pranksters filmed and audio taped their bus trips, creating an immersive multimedia experience that would later be presented to the public in the form of festivals and concerts. The wrote a song about the Merry Pranksters' bus trips called "That's It for the Other One". In 1961, and his wife Szou established in a clothing boutique which was credited with being one of the first to introduce "hippie" fashions.

During this period in New York City and, California anchored the American folk music circuit. Berkeley's two coffee houses, the Cabale Creamery and the Jabberwock, sponsored performances by folk music artists in a beat setting. In April 1963, Chandler A. Laughlin III, co-founder of the Cabale Creamery, established a kind of tribal, family identity among approximately fifty people who attended a traditional, all-night ceremony in a rural setting. This ceremony combined a with traditional Native American spiritual values; these people went on to sponsor a unique genre of musical expression and performance at the Red Dog Saloon in the isolated, old-time mining town of, Nevada.

During the summer of 1965, Laughlin recruited much of the original talent that led to a unique amalgam of traditional folk music and the developing psychedelic rock scene. He and his cohorts created what became known as "", featuring previously unknown musical acts—,,,,, and others—who played in the completely refurbished, intimate setting of Virginia City's Red Dog Saloon. There was no clear delineation between "performers" and "audience" in "The Red Dog Experience", during which music, psychedelic experimentation, a unique sense of personal style and Bill Ham's first primitive light shows combined to create a new sense of community. Laughlin and George Hunter of the Charlatans were true "proto-hippies", with their, boots and outrageous clothing of 19th-century American (and Native American) heritage. LSD manufacturer lived in Berkeley during 1965 and provided much of the LSD that became a seminal part of the "Red Dog Experience", the early evolution of psychedelic rock and budding hippie culture. At the Red Dog Saloon, The Charlatans were the first psychedelic rock band to play live (albeit unintentionally) loaded on LSD.

When they returned to San Francisco, Red Dog participants Luria Castell, Ellen Harman and Alton Kelley created a collective called "The Family Dog." Modeled on their Red Dog experiences, on October 16, 1965, the Family Dog hosted "" at Longshoreman's Hall. Attended by approximately 1,000 of the Bay Area's original "hippies", this was San Francisco's first performance, costumed dance and light show, featuring, and The Marbles. Two other events followed before year's end, one at California Hall and one at the Matrix. After the first three Family Dog events, a much larger psychedelic event occurred at San Francisco's Longshoreman's Hall. Called "The ", it took place on January 21 – 23, 1966, and was organized by,, and others. Ten thousand people attended this sold-out event, with a thousand more turned away each night. On Saturday January 22, the and came on stage, and 6,000 people arrived to imbibe punch spiked with LSD and to witness one of the first fully developed light shows of the era.

It is nothing new. We have a private revolution going on. A revolution of individuality and diversity that can only be private. Upon becoming a group movement, such a revolution ends up with imitators rather than participants...It is essentially a striving for realization of one's relationship to life and other people...

Bob Stubbs, "Unicorn Philosophy"

By February 1966, the Family Dog became Family Dog Productions under organizer, promoting happenings at the and the in initial cooperation with. The Avalon Ballroom, the Fillmore Auditorium and other venues provided settings where participants could partake of the full psychedelic music experience. Bill Ham, who had pioneered the original Red Dog light shows, perfected his art of, which combined light shows and film projection and became with the San Francisco ballroom experience. The sense of style and costume that began at the Red Dog Saloon flourished when San Francisco's Fox Theater went out of business and hippies bought up its costume stock, reveling in the freedom to dress up for weekly musical performances at their favorite ballrooms. As San Francisco Chronicle music columnist put it, "They danced all night long, orgiastic, spontaneous and completely free form."

Some of the earliest San Francisco hippies were former students at who became intrigued by the developing psychedelic hippie music scene. These students joined the bands they loved, living communally in the large, inexpensive apartments in the. Young Americans around the country began moving to San Francisco, and by June 1966, around 15,000 hippies had moved into the Haight.,,, and the all moved to San Francisco's Haight-Ashbury neighborhood during this period. Activity centered around the, a guerrilla street group that combined spontaneous street theatre, anarchistic action, and in their agenda to create a "free city". By late 1966, opened which simply gave away their stock, provided free food, distributed free drugs, gave away money, organized free music concerts, and performed works of political art.

On October 6, 1966, the state of California declared LSD a controlled substance, which made the drug illegal. In response to the criminalization of psychedelics, San Francisco hippies staged a gathering in the, called the, attracting an estimated 700–800 people. As explained by Allan Cohen, co-founder of the, the purpose of the rally was twofold: to draw attention to the fact that LSD had just been made illegal—and to demonstrate that people who used LSD were not criminals, nor were they mentally ill. The Grateful Dead played, and some sources claim that LSD was consumed at the rally. According to Cohen, those who took LSD "were not guilty of using illegal substances...We were celebrating transcendental consciousness, the beauty of the universe, the beauty of being."

The, also known as the "hippie riots", were a series of early -era clashes that took place between police and young people on the in,, in 1966 and continuing on and off through the early 1970s. In 1966, annoyed residents and business owners in the district had encouraged the passage of strict (10:00 p.m.) and laws to reduce the traffic congestion resulting from crowds of young club patrons. This was perceived by young, local rock music fans as an infringement on their, and on Saturday, November 12, 1966, fliers were distributed along the Strip inviting people to demonstrate later that day. Hours before the protest one of L.A's rock 'n' roll radio stations announced there would be a rally at, a club at the corner of and Crescent Heights, and cautioned people to tread carefully. The reported that as many as 1,000 youthful demonstrators, including such celebrities as and (who was afterward handcuffed by police), erupted in protest against the perceived repressive enforcement of these recently invoked curfew laws. This incident provided the basis for the 1967 low-budget teen, and inspired multiple songs including the famous song "".

1967: Summer of Love[]

Main article:

Junction of Haight and Ashbury Streets, San Francisco, celebrated as the central location of the Summer of Love

On January 14, 1967, the outdoor organized by helped to popularize hippie culture across the United States, with 20,000 hippies gathering in San Francisco's Golden Gate Park. On March 26,, and 10,000 hippies came together in for the on. The from June 16 to June 18 introduced the rock music of the counterculture to a wide audience and marked the start of the "Summer of Love".'s rendition of ' song, "", became a hit in the United States and Europe. The lyrics, "If you're going to San Francisco, be sure to wear some flowers in your hair", inspired thousands of young people from all over the world to travel to San Francisco, sometimes wearing flowers in their hair and distributing flowers to passersby, earning them the name, "". Bands like the, (with ), and lived in the Haight.

In June 1967, was approached by "a distinguished magazine" to write about why hippies were attracted to San Francisco. He declined the assignment but interviewed hippies in the Haight for his own newspaper column in the. Caen determined that, "Except in their music, they couldn't care less about the approval of the straight world." Caen himself felt that the city of San Francisco was so straight that it provided a visible contrast with hippie culture. On July 7, magazine featured a cover story entitled, "The Hippies: The Philosophy of a Subculture." The article described the guidelines of the hippie code: "Do your own thing, wherever you have to do it and whenever you want. Drop out. Leave society as you have known it. Leave it utterly. Blow the mind of every straight person you can reach. Turn them on, if not to drugs, then to beauty, love, honesty, fun." It is estimated that around 100,000 people traveled to San Francisco in the summer of 1967. The media was right behind them, casting a spotlight on the Haight-Ashbury district and popularizing the "hippie" label. With this increased attention, hippies found support for their ideals of love and peace but were also criticized for their anti-work, pro-drug, and permissive ethos.[]

According to the hippies, LSD was the glue that held the Haight together. It was the hippie sacrament, a mind detergent capable of washing away years of social programming, a re-imprinting device, a consciousness-expander, a tool that would push us up the evolutionary ladder.

At this point, had released their groundbreaking album which was quickly embraced by the hippie movement with its colorful psychedelic sonic imagery.

By the end of the summer, the Haight-Ashbury scene had deteriorated. The incessant media coverage led to declare the "death" of the hippie with a parade. According to poet Susan 'Stormi' Chambless, the hippies buried an effigy of a hippie in the to demonstrate the end of his/her reign. Haight-Ashbury could not accommodate the influx of crowds (mostly naive youngsters) with no place to live. Many took to living on the street, panhandling and drug-dealing. There were problems with malnourishment, disease, and drug addiction. Crime and violence skyrocketed. None of these trends reflected what the hippies had envisioned. By the end of 1967, many of the hippies and musicians who initiated the Summer of Love had moved on. had once visited Haight-Ashbury and found it to be just a haven for dropouts, inspiring him to give up LSD. Misgivings about the hippie culture, particularly with regard to and lenient morality, fueled the of the late 1960s.

1967–1969: Revolution[]

By 1968, hippie-influenced fashions were beginning to take off in the mainstream, especially for youths and younger adults of the populous "" generation, many of whom may have aspired to emulate the hardcore movements now living in tribalistic communes, but had no overt connections to them. This was noticed not only in terms of clothes and also longer hair for men, but also in music, film, art, and literature, and not just in the US, but around the world. 's brief presidential campaign successfully persuaded a significant minority of young adults to "get clean for Gene" by shaving their beards or wearing longer skirts; however the "Clean Genes" had little impact on the popular image in the media spotlight, of the hirsute hippy adorned in beads, feathers, flowers and bells.


A sign of this was the visibility that the hippie subculture gained in various mainstream and underground media. are 1960s about the hippie counterculture with stereotypical situations associated with the movement such as and use, sex and wild psychedelic parties. Examples include,,, and. Other more serious and more critically acclaimed films about the hippie counterculture also appeared such as and. (See also:.) Documentaries and television programs have also been produced until today as well as. The popular Broadway musical was presented in 1967.

People commonly label other cultural movements of that period as hippie, however there are differences. For example, hippies were often not directly engaged in politics, as contrasted with "Yippies" (Youth International Party), an activist organization. The came to national attention during their celebration of the 1968 spring equinox, when some 3,000 of them took over in New York—eventually resulting in 61 arrests. The Yippies, especially their leaders and, became notorious for their theatrics, such as trying to levitate the Pentagon at the October 1967 war protest, and such slogans as "Rise up and abandon the creeping meatball!" Their stated intention to protest the in Chicago in August, including nominating their own candidate, "" (an actual pig), was also widely publicized in the media at this time.

In Cambridge, hippies congregated each Sunday for a large "be-in" at Cambridge Park with swarms of drummers and those beginning the Women's Movement. In the US the Hippie movement started to be seen as part of the "" which was associated with anti-war college campus protest movements. The New Left was a term used mainly in the and in reference to,, and others in the 1960s and 1970s who sought to implement a broad range of reforms on issues such as gay rights, abortion, gender roles and drugs in contrast to earlier leftist or Marxist movements that had taken a more approach to social justice and focused mostly on and questions of.

In April 1969, the building of in Berkeley, California received international attention. The had demolished all the buildings on a 2.8-acre (11,000 m2) parcel near campus, intending to use the land to build playing fields and a parking lot. After a long delay, during which the site became a dangerous eyesore, thousands of ordinary Berkeley citizens, merchants, students, and hippies took matters into their own hands, planting trees, shrubs, flowers and grass to convert the land into a park. A major confrontation ensued on May 15, 1969, when Governor ordered the park destroyed, which led to a two-week occupation of the city of Berkeley by the. came into its own during this occupation as hippies engaged in acts of to plant flowers in empty lots all over Berkeley under the slogan "Let a Thousand Parks Bloom".

giving the opening talk at the Woodstock Festival of 1969

In August 1969, the took place in, New York, which for many, exemplified the best of hippie counterculture. Over 500,000 people arrived to hear some of the most notable musicians and bands of the era, among them,,,,,,,,,,, and. 's provided security and attended to practical needs, and the hippie ideals of love and human fellowship seemed to have gained real-world expression. Similar rock festivals occurred in other parts of the country, which played a significant role in spreading hippie ideals throughout America.

In December 1969, a rock festival took place in, California, about 45 km (30 miles ) east of San Francisco. Initially billed as "Woodstock West", its official name was. About 300,000 people gathered to hear ; ; and other bands. The provided security that proved far less benevolent than the security provided at the Woodstock event: 18-year-old was stabbed and killed by one of the Hells Angels during The Rolling Stones' performance after he brandished a gun and waved it toward the stage.

1970–present: Aftershocks[]

By the 1970s, the 1960s that had spawned hippie culture seemed to be on the wane. The events at shocked many Americans, including those who had strongly identified with hippie culture. Another shock came in the form of the and murders committed in August 1969 by and his "family" of followers. Nevertheless, the turbulent political atmosphere that featured the bombing of and shootings by at and still brought people together. These shootings inspired the May 1970 song by "What About Me?", where they sang, "You keep adding to my numbers as you shoot my people down", as well as 's "", a song that protested the US's expansion of the into, recorded by.

Much of hippie style had been integrated into American society by the early 1970s. Large rock concerts that originated with the 1967 KFRC and and the British in 1968 became the norm, evolving into in the process. The anti-war movement reached its peak at the as over 12,000 protesters were arrested in Washington DC. President Nixon himself actually ventured out of the White House and chatted with a group of the 'hippie' protesters. The draft was ended soon thereafter, in 1973. During the mid 1970s, with the of the draft and the, a renewal of sentiment associated with the approach of the and the emergence of in London, Manchester, New York and Los Angeles, the mainstream media lost interest in the hippie counterculture. At the same time there was, skinheads, and the emergence of new youth cultures, like the (an arty offshoot of punk) and. Acid rock gave way to,,, and.

Starting in the late 1960s, hippies began to come under attack by. Hippies were also vilified and sometimes attacked by,,, football,,,,,,, and members of other youth subcultures of the 1970s and 1980s in both and. The countercultural movement was also under covert assault by 's infamous "Counter Intelligence Program" (), but in some countries it was other youth groups that were a threat. Hippie ideals had a marked influence on and some youth subcultures, especially during the.

Couple attending Snoqualmie Moondance Festival, August 1993

Hippie communes, where members tried to live the ideals of the hippie movement, continued to flourish. On the west coast, Oregon had quite a few. Some faded away. Some are still around.[]

While many hippies made a long-term commitment to the lifestyle, some people argue that hippies "sold out" during the 1980s and became part of the materialist, consumer culture. Although not as visible as it once was, hippie culture has never died out completely: hippies and neo-hippies can still be found on college campuses, on communes, and at gatherings and festivals. Many embrace the hippie values of peace, love, and community, and hippies may still be found in enclaves around the world.

Towards the end of the 20th century, a trend of "cyber hippies" emerged, that embraced some of the qualities of the 1960s psychedelic counterculture. The hippie subculture is also linked to the psychedelic trance or scene, born out of the Goa scene in India.

Ethos and characteristics[]

Tie-dyed clothes, associated with hippie culture

The bohemian predecessor of the hippie culture in San Francisco was the "" style of coffee houses and bars, whose clientele appreciated literature, a game of chess, music (in the forms of jazz and folk style), modern dance, and traditional crafts and arts like pottery and painting." The entire tone of the new subculture was different. "Jon McIntire, manager of the Grateful Dead from the late sixties to the mid-eighties, points out that the great contribution of the hippie culture was this projection of. The beatnik thing was black, cynical, and cold." Hippies sought to free themselves from societal restrictions, choose their own way, and find new. One expression of hippie independence from societal norms was found in their standard of dress and grooming, which made hippies instantly recognizable to one another, and served as a visual symbol of their respect for individual rights. Through their appearance, hippies declared their willingness to question authority, and distanced themselves from the "straight" and "" (i.e., conformist) segments of society. and values that hippies tend to be associated with are " and,, and ".

At the same time, many thoughtful hippies distanced themselves from the very idea that the way a person dresses could be a reliable signal of who he or she was—especially after outright criminals such as began to adopt superficial hippie characteristics, and also after plainclothes policemen started to "dress like hippies" to legitimate members of the counterculture., known for lampooning hippie ethos, particularly with songs like "" (1968), admonished his audience that "we all wear a uniform". The San Francisco clown/hippie said in 1987 that he could still see fellow-feeling in the eyes of businessmen who had dressed conventionally to survive.[]

Art and fashion[]

See also:

A 1967 bus decorated with hand-painting

Leading proponents of the 1960s Psychedelic Art movement were San Francisco poster artists such as:,,, &, and. Their Psychedelic Rock concert posters were inspired by, Victoriana,, and. Posters for concerts in the, a concert auditorium in San Francisco, popular with Hippie audiences, were among the most notable of the time. Richly saturated colors in glaring contrast, elaborately ornate lettering, strongly symmetrical composition, collage elements, rubber-like distortions, and bizarre iconography are all hallmarks of the San Francisco psychedelic poster art style. The style flourished from roughly the years 1966 to 1972. Their work was immediately influential to album cover art, and indeed all of the aforementioned artists also created album covers. Psychedelic light-shows were a new art-form developed for rock concerts. Using oil and dye in an emulsion that was set between large convex lenses upon overhead projectors, the lightshow artists created bubbling liquid visuals that pulsed in rhythm to the music. This was mixed with slide shows and film loops to create an improvisational motion picture art form, and to give visual representation to the improvisational jams of the rock bands and create a completely "trippy" atmosphere for the audience.[]

The were responsible for many of the light-shows in San Francisco psychedelic rock concerts. Out of the psychedelic counterculture there also arose a new genre of comic books:. Zap Comix was among the original underground comics, and featured the work of,,,, and among others. Underground comix were ribald, intensely satirical, and seemed to pursue weirdness for the sake of weirdness. created perhaps the most enduring of underground cartoon characters,, whose drugged-out exploits held a mirror up to the hippie lifestyle of the 1960s.

Monument to the hippie era., India

As in the beat movement preceding them, and the that followed soon after, hippie symbols and iconography were purposely borrowed from either "low" or "primitive" cultures, with hippie fashion reflecting a disorderly, often style. As with other adolescent, white middle-class movements, of the hippies involved challenging the prevailing of their time: both men and women in the hippie movement wore jeans and maintained long hair, and both genders wore sandals, moccasins or went. Men often wore beards, while women wore little or no makeup, with many going. Hippies often chose brightly colored clothing and wore unusual, such as pants, vests, garments,,, and long, full skirts; non-Western inspired clothing with,, and motifs were also popular. Much hippie clothing was self-made in defiance of corporate culture, and hippies often purchased their clothes from flea markets and second-hand shops. Favored accessories for both men and women included Native American jewelry, head scarves, headbands and.Hippie homes, vehicles and other possessions were often decorated with. The bold colors, hand-made clothing and loose fitting clothes opposed the tight and uniform clothing of the 1940s and 1950s. It also rejected consumerism in that the hand-production of clothing called for self-efficiency and individuality.

Love and sex[]

See also:

number 28, also known as the "", which was the main cause of a 1971 high-profile obscenity case in the United Kingdom. Oz was a UK underground publication with a general hippie / counter-cultural point of view.

The common stereotype on the issues of love and sex had it that the hippies were ", having wild sex, seducing innocent teenagers and every manner of sexual perversion." The hippie movement appeared concurrently in the midst of a rising, in which many views of the status quo on this subject were being challenged.

The clinical study was published by in 1966, and the topic suddenly became more commonplace in America. The 1969 book by psychiatrist was a more popular attempt at answering the public's curiosity regarding such matters. Then in 1972 appeared by, reflecting an even more candid perception of love-making. By this time, the recreational or 'fun' aspects of sexual behavior were being discussed more openly than ever before, and this more 'enlightened' outlook resulted not just from the publication of such new books as these, but from a more pervasive sexual revolution that had already been well underway for some time.

The hippies inherited various countercultural views and practices regarding sex and love from the ; "their writings influenced the hippies to open up when it came to sex, and to experiment without guilt or." One popular hippie slogan that appeared was "If it feels good, do it!" which for many "meant you were free to love whomever you pleased, whenever you pleased, however you pleased". This encouraged spontaneous sexual activity and experimentation.,, under the influence of drugs, all the taboos went out the window. This doesn't mean that straight sex or were unknown, quite the contrary. Nevertheless, the became an accepted part of the hippy lifestyle. This meant that you might have a primary relationship with one person, but if another attracted you, you could explore that relationship without rancor or jealousy."

Hippies embraced the old slogan of of the radical social reformers of other eras; it was accordingly observed that "Free love made the whole love, marriage, sex, baby package obsolete. Love was no longer limited to one person, you could love anyone you chose. In fact love was something you shared with everyone, not just your sex partners. Love exists to be shared freely. We also discovered the more you share, the more you get! So why reserve your love for a select few? This profound truth was one of the great hippie revelations." Sexual experimentation alongside psychedelics also occurred, due to the perception of their being uninhibitors. Others explored.

Travel[]

Hand-crafted Hippie Truck, 1968

Hippies tended to travel light, and could pick up and go wherever the action was at any time. Whether at a "love-in" on near San Francisco, a demonstration against the Vietnam War in Berkeley, or one of 's "Acid Tests", if the "vibe" wasn't right and a change of scene was desired, hippies were mobile at a moment's notice. Planning was eschewed, as hippies were happy to put a few clothes in a backpack, stick out their thumbs and hitchhike anywhere. Hippies seldom worried whether they had money, hotel reservations or any of the other standard accoutrements of travel. Hippie households welcomed overnight guests on an impromptu basis, and the reciprocal nature of the lifestyle permitted greater freedom of movement. People generally cooperated to meet each other's needs in ways that became less common after the early 1970s. This way of life is still seen among groups, and New Zealand's.

Hippie Truck interior

A derivative of this free-flow style of travel were the hippie trucks and buses, hand-crafted mobile houses built on a truck or bus chassis to facilitate a nomadic lifestyle, as documented in the 1974 book Roll Your Own. Some of these mobile gypsy houses were quite elaborate, with beds, toilets, showers and cooking facilities.

On the West Coast, a unique lifestyle developed around the that Phyllis and Ron Patterson first organized in 1963. During the summer and fall months, entire families traveled together in their trucks and buses, parked at Renaissance Pleasure Faire sites in Southern and Northern California, worked their crafts during the week, and donned Elizabethan costume for weekend performances, and attended booths where handmade goods were sold to the public. The sheer number of young people living at the time made for unprecedented travel opportunities to special happenings. The peak experience of this type was the near, New York, from August 15 to 18, 1969, which drew between 400,000 and 500,000 people.

Hippie trail[]

Main article:

One travel experience, undertaken by hundreds of thousands of hippies between 1969 and 1971, was the overland route to. Carrying little or no luggage, and with small amounts of cash, almost all followed the same route, hitch-hiking across Europe to and on to, then by train through central via, continuing by bus into, via and to, across the Afghan border into, through southern via to, over the into, via and to the Indian frontier. Once in India, hippies went to many different destinations, but gathered in large numbers on the beaches of and in (), or crossed the border into to spend months in. In Kathmandu, most of the hippies hung out in the tranquil surroundings of a place called Freak Street, (: Jhoo Chhen) which still exists near Kathmandu Durbar Square.

Spirituality and religion[]

See also: and

Many hippies rejected mainstream organized religion in favor of a more personal spiritual experience. Buddhism, Hinduism, Sufism often resonated with hippies, as they were seen as less rule-bound, and less likely to be associated with existing baggage. Some hippies embraced, especially. Others were involved with the occult, with people like citing as influences. By the 1960s, western interest in Hindu spirituality and reached its peak, giving rise to a great number of schools specifically advocated to a western public.

In his 1991 book, "Hippies and American Values", Timothy Miller described the hippie ethos as essentially a "religious movement" whose goal was to transcend the limitations of mainstream religious institutions. "Like many dissenting religions, the hippies were enormously hostile to the religious institutions of the dominant culture, and they tried to find new and adequate ways to do the tasks the dominant religions failed to perform." In his seminal, contemporaneous work, "The Hippie Trip", author Lewis Yablonsky notes that those who were most respected in hippie settings were the spiritual leaders, the so-called "high priests" who emerged during that era.

, family and band on a lecture tour at State University of New York at Buffalo in 1969

One such hippie "high priest" was San Francisco State University Professor. Beginning in 1966, Gaskin's "Monday Night Class" eventually outgrew the lecture hall, and attracted 1,500 hippie followers in an open discussion of spiritual values, drawing from Christian, Buddhist, and Hindu teachings. In 1970 Gaskin founded a Tennessee community called, and he still lists his religion as "Hippie."

was an American and writer, known for his advocacy of. On September 19, 1966, Leary founded the, a religion declaring LSD as its holy sacrament, in part as an unsuccessful attempt to maintain legal status for the use of LSD and other psychedelics for the religion's adherents based on a "freedom of religion" argument. was the inspiration for 's song "" in ' album. He published a pamphlet in 1967 called Start Your Own Religion to encourage just that and was invited to attend the January 14, 1967 a gathering of 30,000 hippies in San Francisco's In speaking to the group, he coined the famous phrase "". The English magician became an influential icon to the new alternative spiritual movements of the decade as well as for rock musicians. included him as one of on the cover sleeve of their 1967 album while, the guitarist of and co-founder of 1970s rock band was fascinated by Crowley, and owned some of his clothing, manuscripts and ritual objects, and during the 1970s bought, which also appears in the band's movie. On the back cover of compilation album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley. also openly acknowledged Crowley's inspiration.

After the hippie era, the Dudeist and lifestyle developed. Inspired by "The Dude", the neo-hippie protagonist of the ' 1998 film, Dudeism's stated primary objective is to promote a modern form of Chinese, outlined in by (6th century BC), blended with concepts by the Ancient Greek philosopher (341-270 BC), and presented in a style as personified by the character of Jeffrey "The Dude" Lebowski, a fictional hippie character portrayed by in the film. Dudeism has sometimes been regarded as a, though its founder and many adherents regard it seriously.

Politics[]

See also: and

"The hippies were heirs to a long line of bohemians that includes,,,,,,,, utopian movements like the and the, and most directly the. Hippies emerged from a society that had produced birth-control pills, a counterproductive war in Vietnam, the liberation and idealism of the, feminism, homosexual rights, FM radio, mass-produced, a strong economy, and a huge number of. These elements allowed the hippies to have a mainstream impact that dwarfed that of the and earlier cultures."

by Danny Goldberg

For the historian of the movement Ronald Creagh, the hippie movement could be considered as the last spectacular resurgence of. For Creagh, a characteristic of this is the desire for the transformation of society not through political revolution, or through reformist action pushed forward by the state, but through the creation of a counter-society of a character in the midst of the current system, which will be made up of ideal communities of a more or less social form.

The was developed in the UK as a logo for the, and was embraced by U.S. anti-war protesters during the 1960s. Hippies were often, and participated in non-violent political demonstrations, such as, the, and demonstrations, including and the. The degree of political involvement varied widely among hippies, from those who were active in peace demonstrations, to the more anti-authority street theater and demonstrations of the, the most politically active hippie sub-group. discussed the differences between Yippies and hippies with, who told him that Yippies were the political wing of the hippie movement, as hippies have not "necessarily become political yet". Regarding the political activity of hippies, Rubin said, "They mostly prefer to be stoned, but most of them want peace, and they want an end to this stuff."

In addition to non-violent political demonstrations, hippie opposition to the Vietnam War included organizing political action groups to oppose the war, refusal to serve in the military and conducting "" on college campuses that covered Vietnamese history and the larger political context of the war.

Scott McKenzie's 1967 rendition of John Phillips' song "", which helped to inspire the hippie Summer of Love, became a homecoming song for all Vietnam veterans arriving in San Francisco from 1967 onward. McKenzie has dedicated every American performance of "San Francisco" to Vietnam veterans, and he sang in 2002 at the 20th anniversary of the dedication of the. Hippie political expression often took the form of "dropping out" of society to implement the changes they sought.

, Palm Springs, California, 1969, sharing a joint

Politically motivated movements aided by hippies include the of the 1960s,,, the movement, and. The San Francisco group known as articulated an influential radical criticism of contemporary mass consumer society, and so they opened which simply gave away their stock, provided free food, distributed free drugs, gave away money, organized free music concerts, and performed works of political art. The Diggers took their name from the original (1649–50) led by, and they sought to create a mini-society.

Such activism was ideally carried through and means; thus it was observed that "The way of the hippie is antithetical to all repressive hierarchical power structures since they are adverse to the hippie goals of peace, love and freedom... Hippies don't impose their beliefs on others. Instead, hippies seek to change the world through reason and by living what they believe."

The political ideals of hippies influenced other movements, such as,,, and the movement. of the English anarcho-punk band said in interviews, and in an essay called The Last Of The Hippies, that Crass was formed in memory of his friend,. Crass had its roots in, which was established in 1967 as a commune. Some were often critical of Crass for their involvement in the hippie movement. Like Crass, was influenced by the hippie movement, and cited the yippies as a key influence on his political activism and thinking, though he also wrote songs critical of hippies.

Drugs[]

See also: and

Following in the footsteps of the Beats, many hippies used (marijuana), considering it pleasurable and benign. They enlarged their spiritual pharmacopeia to include such as,, and, while often renouncing the use of alcohol. On the, professors, and (Ram Dass) advocated psychotropic drugs for, self-exploration, and use. Regarding LSD, Leary said, "Expand your consciousness and find ecstasy and revelation within."

On the, was an important figure in promoting the recreational use of psychotropic drugs, especially LSD, also known as "acid." By holding what he called "", and touring the country with his band of, Kesey became a magnet for media attention that drew many young people to the fledgling movement. The (originally billed as "The Warlocks") played some of their first shows at the Acid Tests, often as high on LSD as their audiences. Kesey and the Pranksters had a "vision of turning on the world." Harder drugs, such as, and heroin, were also sometimes used in hippie settings; however, these drugs were often disdained, even among those who used them, because they were recognized as harmful and addictive.

The stereotypical belief that in the 1960s, the hippies' heyday, drugs were running rampant and little was done to enforce drug laws, is not supported by the facts; by 1969 only 4% of Americans had tried marijuana.

See also: and

Newcomers to the Internet are often startled to discover themselves not so much in some soulless colony of technocrats as in a kind of cultural Brigadoon - a flowering remnant of the '60s, when hippie communalism and libertarian politics formed the roots of the modern cyberrevolution...

, "We Owe It All To The Hippies".

"The '60s were a leap in human consciousness. Mahatma Gandhi, Malcolm X, Martin Luther King, Che Guevara, they led a revolution of conscience. The Beatles, The Doors, Jimi Hendrix created revolution and evolution themes. The music was like Dalí, with many colors and revolutionary ways. The youth of today must go there to find themselves."

The legacy of the hippie movement continues to permeate Western society. In general, unmarried couples of all ages feel free to travel and live together without societal disapproval. Frankness regarding sexual matters has become more common, and the rights of, and people, as well as people who choose not to categorize themselves at all, have expanded. Religious and cultural diversity has gained greater acceptance.

Co-operative business enterprises and creative community living arrangements are more accepted than before. Some of the little hippie stores of the 1960s and 1970s are now large-scale, profitable businesses, due to greater interest in natural foods, herbal remedies, vitamins and other nutritional supplements. It has been suggested that 1960s and 1970s counterculture embraced certain types of "groovy" science and technology. Examples include design,, and client-centered approaches to,, and. Authors and argue that the development and popularization of personal computers and the find one of their primary roots in the anti-authoritarian ethos promoted by hippie culture.

Distinct appearance and clothing was one of the immediate legacies of hippies worldwide. During the 1960s and 1970s, mustaches, beards and long hair became more commonplace and colorful, while multi-ethnic clothing dominated the fashion world. Since that time, a wide range of personal appearance options and clothing styles, including nudity, have become more widely acceptable, all of which was uncommon before the hippie era. Hippies also inspired the decline in popularity of the and other business clothing, which had been unavoidable for men during the 1950s and early 1960s. Additionally, hippie fashion itself has been commonplace in the years since the 1960s in clothing and accessories, particularly the., including everything from serious study to whimsical amusement regarding personal traits, was integral to hippie culture. The generation of the 1970s became influenced by the hippie and the 60s countercultural legacy. As such in musicians and audiences from the female, homosexual, black, and Latino communities adopted several traits from the hippies and. They included overwhelming sound, free-form dancing, weird lighting, colorful costumes, and. groups like the and especially influenced proto-disco acts such as, and the. In addition, the perceived positivity, lack of irony, and earnestness of the informed proto-disco music like 's album.

The hippie legacy in literature includes the lasting popularity of books reflecting the hippie experience, such as. In music, the and popular among hippies evolved into genres such as, and. (also known as psytrance) is a type of influenced by 1960s psychedelic rock. The tradition of hippie music festivals began in the United States in 1965 with Ken Kesey's, where the played tripping on and initiated psychedelic jamming. For the next several decades, many hippies and neo-hippies became part of the community, attending music and art festivals held around the country. The toured continuously, with few interruptions between 1965 and 1995. and their fans (called Phish Heads) operated in the same manner, with the band touring continuously between 1983 and 2004. Many contemporary bands performing at hippie festivals and their derivatives are called, since they play songs that contain long instrumentals similar to the original hippie bands of the 1960s.

With the demise of Grateful Dead and Phish, nomadic touring hippies attend a growing series of summer festivals, the largest of which is called the, which premiered in 2002. The is a three-day festival featuring handmade crafts, educational displays and costumed entertainment. The annual, founded in 1981, is a seven-day event indicative of the spiritual quest of hippies through an exploration of non-mainstream religions and world-views, and has offered performances and classes by a variety of hippie and counter-culture icons.

The festival began in 1986 at a San Francisco beach party and is now held in the northeast of, Nevada. Although few participants would accept the hippie label, Burning Man is a contemporary expression of alternative community in the same spirit as early hippie events. The gathering becomes a temporary city (36,500 occupants in 2005, 50,000+ in 2011), with elaborate encampments, displays, and many. Other events that enjoy a large attendance include the, The, Community Peace Festivals, and the.

In the UK, there are many who are known as hippies to outsiders, but prefer to call themselves the. They started the in 1974, but later banned the festival in 1985, resulting in the. With Stonehenge banned as a festival site, new age travellers gather at the annual. Today, hippies in the UK can be found in parts of, such as (particularly the neighborhoods of,,,, and ), in, in, and in, as well as in in, and in areas of and. In the summer, many hippies and those of similar subcultures gather at numerous outdoor festivals in the countryside.

In between 1976 and 1981 tens of thousands of hippies gathered from around the world on large farms around and for music and alternatives festivals. Named, the festivals focused on peace, love, and a balanced lifestyle. The events featured practical and displays advocating,, clean and and.

In the UK and Europe, the years 1987 to 1989 were marked by a large-scale revival of many characteristics of the hippie movement. This later movement, composed mostly of people aged 18 to 25, adopted much of the original hippie philosophy of love, peace and freedom. The summer of 1988 became known as the. Although the music favored by this movement was modern, especially and, one could often hear songs from the original hippie era in the chill out rooms at. In the UK, many of the well-known figures of this movement first lived communally in, an area of north London located in. In 1995, attempted to link both hippie and rave culture together in relation to transactional analysis, suggesting that rave culture was a social archetype based on the mood of friendly strength, compared to the gentle hippie archetype, based on friendly weakness. The later electronic dance genres known as and and its related events and culture have important hippie legacies and neo hippie elements. The popular DJ of the genre, like other hippies from the 1960s, decided to leave the US and Western Europe to travel on the and later developing psychedelic parties and music in the Indian island of in which the goa and psytrance genres were born and exported around the world in the 1990s and 2000s.

Popular films depicting the hippie ethos and lifestyle include,,,,,, and.

In 2002, photojournalist John Bassett McCleary published a 650-page, 6,000-entry unabridged devoted to the language of the hippies titled The Hippie Dictionary: A Cultural Encyclopedia of the 1960s and 1970s. The book was revised and expanded to 700 pages in 2004. McCleary believes that the hippie counterculture added a significant number of words to the English language by borrowing from the lexicon of the, through the hippies' shortening of beatnik words and then popularizing their usage.

  • As a hippie, helped to popularize the alternative sport of in the 1960s–70s, that has become today's

  • , original 1960s hippie who later became a pioneering electronic dance music DJ and party organizer, here appearing in the 2001 film

See also[]

References[]

  1. Usually an adjective denoting "large hips." See:
  2. . Oxford Dictionaries - English
  3. To say "I'm hip to the situation" means "I'm aware of the situation. See: (December 8, 2004),,, retrieved May 7, 2007 
  4. . Etymonline.com. Retrieved February 3, 2014. 
  5. . Merriam-webster.com. August 31, 2012. Retrieved February 3, 2014. 
  6. "The attendance at the third Pop Festival at...Isle of Wight, England on 30 Aug 1970 was claimed by its promoters, Fiery Creations, to be 400,000." The Guinness book of Records, 1987 (p. 91), Russell, Alan (ed.)., 1986  .
  7. Purcell, Fernando; Alfredo Riquelme (2009). Ampliando miradas: Chile y su historia en un tiempo global. RIL Editores. p. 21.  . 
  8. . RadioFreeEurope/RadioLiberty
  9. (December 8, 2004),,, retrieved 2007-05-07 
  10. Jonathan Lighter, Random House Dictionary of Historical Slang
  11. George Vere Hobart (January 16, 1867 – January 31, 1926)
  12. (1986),, The Hipster Story, Progressive Records 
  13. Harry Gibson wrote: "At that time musicians used jive talk among themselves and many customers were picking up on it. One of these words was hep which described someone in the know. When lots of people started using hep, musicians changed to hip. I started calling people hipsters and greeted customers who dug the kind of jazz we were playing as 'all you hipsters.' Musicians at the club began calling me Harry the Hipster; so I wrote a new tune called 'Handsome Harry the Hipster.'" -- "Everybody's Crazy But Me" (1986).
  14. Rexroth, Kenneth. (1961). "." Metronome. Reprinted in Assays
  15. Booth, Martin (2004), Cannabis: A History, St. Martin's Press, p. 212.
  16. . SongLyrics.com
  17. . SongLyrics.com
  18. (1969). (audio)...  Track 1.
  19. Use of the term "hippie" did not become widespread in the until early 1967, after began to use the term; See "Take a Hippie to Lunch Today", S.F. Chronicle, January 20, 1967, p. 37. San Francisco Chronicle, January 18, 1967 column, p. 27
  20. Randall, Annie Janeiro (2005), "The Power to Influence Minds", Music, Power, and Politics, Routledge, pp. 66–67,   
  21. Kennedy, Gordon; Ryan, Kody (2003),, archived from on August 30, 2007, retrieved 2007-08-31 . See also:.
  22. Elaine Woo,, Los Angeles Times, August 10, 2004, Accessed December 22, 2008.
  23. . "Hippies." World Book Online Reference Center. 2006. Retrieved on 2006-10-12. "Hippies were members of a youth movement...from white middle-class families and ranged in age from 15 to 25 years old."
  24. ^, pp. 193–194.
  25. ^, p. 419. Hirsch describes hippies as: "Members of a cultural protest that began in the U.S. in the 1960s and affected Europe before fading in the 1970s...fundamentally a cultural rather than a political protest."
  26. ^. Pendergast writes: "The Hippies made up the...nonpolitical subgroup of a larger group known as the counterculture...the counterculture included several distinct groups...One group, called the New Left...Another broad group called...the Civil Rights Movement...did not become a recognizable social group until after 1965...according to John C. McWilliams, author of The 1960s Cultural Revolution."
  27. ^,
  28. August 28 - Bob Dylan turns The Beatles on to cannabis for the second time. See also: ; Gaines, Steven (2002), The Love You Make: An Insider's Story of the Beatles, NAL Trade,   ;Moller, Karen (September 25, 2006),, Swans, retrieved 2007-07-29 
  29. ,, 2006, archived from on August 15, 2007, retrieved 2007-08-25 
  30. , p. 214.
  31. , pp. 260, 264.
  32. envisioned a different society: "...where people share things, and we don't need money; where you have the machines for the people. A free society, that's really what it amounts to... a free society built on life; but life is not some Time Magazine, hippie version of fagdom... we will attempt to build that society..." See: Swatez, Gerald. Miller, Kaye. (1970). Anagram Pictures. University of Illinois at Chicago Circle. Social Sciences Research Film Unit. qtd at 16:48. The speaker is not explicitly identified, but it is thought to be Abbie Hoffman. March 15, 2008, at the.
  33. (1991), Come Together: John Lennon in His Time, University of Illinois Press, p. 40,   : "Seven hundred million people heard it in a worldwide TV satellite broadcast. It became the anthem of flower power that summer...The song expressed the highest value of the counterculture...For the hippies, however, it represented a call for liberation from Protestant culture, with its repressive sexual taboos and its insistence on emotional restraint...The song presented the critique of movement politics: there was nothing you could do that couldn't be done by others; thus you didn't need to do anything...John was arguing not only against bourgeois self-denial and future-mindedness but also against the activists' sense of urgency and their strong personal commitments to fighting injustice and oppression..."
  34. , pp. 106–107.
  35. Theme appears in contemporaneous interviews throughout Yablonsky (1968).
  36. , pp. 50, 166, 323.
  37. , pp. 203–206. notes that the counterculture was a "movement of seekers of meaning and value...the historic quest of any religion." Miller quotes, William C. Shepard,, and in support of the view of the hippie movement as a new religion. See also 's The Big Bang, The Buddha, and the Baby Boom: "At its core, however, hippie was a spiritual phenomenon, a big, unfocused, revival meeting." Nisker cites the San Francisco Oracle, which described the Human Be-In as a "spiritual revolution".
  38. ^ Dodd, David (June 22, 1998),,, retrieved 2008-05-09 
  39. Arnold, Corry; Hannan, Ross (May 9, 2007),, retrieved 2007-08-31 
  40. Hannan, Ross; Arnold, Corry (October 7, 2007),, retrieved 2007-10-07 
  41. ^ Works, Mary (Director) (2005), Rockin' At the Red Dog: The Dawn of Psychedelic Rock, Monterey Video 
  42. , 2001 
  43. Lau, Andrew (December 1, 2005),, Perfect Sound Forever, archived from on September 30, 2007, retrieved 2007-09-01 
  44. , p. 325.
  45. Selvin, Joel (June 24, 2011).. The San Francisco Chronicle
  46. , p. 98.
  47. Dodgson, Rick (2001),, pranksterweb.org, archived from on October 11, 2007, retrieved 2007-10-19 
  48. , p. 18.
  49. , p. 156.
  50. The college was later renamed San Francisco State University.
  51. , pp. 5–7. Perry writes that SFSC students rented cheap, Edwardian-Victorians in the Haight.
  52. ^
  53. ^, pp. 213, 215.
  54. ^ Farber, David; Bailey, Beth L. (2001), The Columbia Guide to America in the 1960s, Columbia University Press, p. 145,   
  55. (2003), The Portable Sixties Reader, Penguin Classics, p. 298,   
  56. , p. 149.
  57. Priore, Domenic (2007). Riot on Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood. Jawbone Press.  . 
  58. David Browne (November 11, 2016)... 
  59. "Chronology of San Francisco Rock 1965-1969
  60. DeCurtis, Anthony. (July 12, 2007). "New York". Rolling Stone. Issue 1030/1031; For additional sources, see McNeill, Don, "", The Village Voice, March 30. 1967: pg 1, 20; Weintraub, Bernard, "Easter: A Day of Worship, a "Be-In" or just Parading in the Sun", The New York Times, March 27. 1967: pg 1, 24.. Archived from the original on January 28, 2008. Retrieved 2008-04-18. CS1 maint: BOT: original-url status unknown ()
  61. , pp. 254.
  62. ^ SFGate.com. Archive. Herb Caen, June 25, 1967.. Retrieved on June 4, 2009.
  63. , pp. 125.
  64. , p. xiv.
  65. Sgt. Pepper and the Beatles: It Was Forty Years Ago Today, Julien, Olivier. Ashgate, 2009.  .
  66. Miles, Barry (2003), Hippie, Sterling Press, pp. 210–211,   
  67. , San Francisco Diggers, October 6, 1967, retrieved 2007-08-31 
  68. Bodroghkozy, Aniko (2001), Groove Tube: Sixties Television and the Youth Rebellion, Duke University Press, p. 92,   
  69. . Hippiedictionary.com. Retrieved 2012-11-21. 
  70. . SFGate. Retrieved 2017-10-26. 
  71. Muncie, John (2004),,, p. 176,  , archived from on 2007-05-09 
  72. . Thesocietyofthespectacle.com. April 5, 2009. Archived from on November 12, 2013. Retrieved February 3, 2014. 
  73. iPad iPhone Android TIME TV Populist The Page (April 5, 1968).. Time.com. Retrieved 2014-02-03. 
  74. ^ Carmines, Edward G., and Geoffrey C. Layman. 1997. "Issue Evolution in Postwar American Politics". In Byron Shafer, ed., Present Discontents. NJ: Chatham House Publishers.

  75. , "The Left's Lost Universalism". In Arthur M. Melzer, Jerry Weinberger and M. Richard Zinman, eds., Politics at the Turn of the Century, pp. 3–26 (Lanham, MD:, 2001).
    (2000). "Endgame Identity? Mapping the New Left Roots of Identity Politics".. 31 (4): 627–648. :.  . 
  76. Wollenberg, Charles (2008),, University of California Press,  , archived from on July 5, 2008 
  77. Hayward, Steven F. (2001),, Roseville, California: Prima Publishing, p. 325,  ,  , retrieved January 31, 2011 
  78. (2003), Rock 'N' Roll Gold Rush, Algora Publishing, p. 243,   
  79. Mankin, Bill.. Like the Dew. 2012.
  80. Lee, Henry K. (May 26, 2005).. San Francisco Chronicle. Archived from on June 26, 2008. Retrieved 2008-09-11. 
  81. , pp. 638–640.
  82. Bugliosi (1994) describes the popular view that the Manson case "sounded the death knell for hippies and all they symbolically represented", citing,, and. Bugliosi admits that although the Manson murders "may have hastened" the end of the hippie era, the era was already in decline.
  83. Deresiewics, William (November 12, 2011).. New York Times. Retrieved 2011-12-03. 
  84. . LiveLeak.com. November 28, 1969. Retrieved 2012-11-21. 
  85. . Findingdulcinea.com. Retrieved 2012-11-21. 
  86. .
  87. ^ (May 2, 2007),,, retrieved 2007-05-25 
  88. Childs, Peter; Storry, Mike (1999),,  . 
  89. . Eelpie.org. December 13, 2005. Retrieved 2012-11-21. 
  90. . Time. June 8, 1970. Retrieved 2010-05-04. 
  91. . Cavejunction.com. Retrieved 2014-02-03. 
  92. , pp. 74.
  93. .
  94. Hedonic Tantra - Erik Davis May 20, 2011, at the.
  95. Rave Culture and Religion (Routledge Advances in Sociology), edited Graham St. John. Hedonic Tantra - Golden Goa's Trance Transmission, Erik Davis (p256-272). Routledge, 2009.  
  96. O'Brien, Karen 2001 Joni Mitchell: Shadows and Light. London:Virgin Books, pp.77-78
  97. Greenfield, Robert. (interview). Retrieved 2013-09-11. 
  98. , pp. 103 et al..
  99. iPad iPhone Android TIME TV Populist The Page (July 7, 1967).. Time.com. Retrieved 2014-02-03. 
  100. , pp. 120.
  101. , pp. 125.
  102. ^ Pendergast, Sara. (2004) Fashion, Costume, and Culture. Volume 5. Modern World Part II: 1946-2003. Thomson Gale.  
  103. Pendergast, Sara (2004). Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear Through the Ages. Detroit: UXL. p. 640. 
  104. ^,
  105. "Again the Beat generation must be credited with living and writing about sexual freedom. Allen Ginsberg, Jack Kerouac, William Burroughs and others lived unusually free, sexually expressive lives.",
  106. "But the biggest release of inhibitions came about through the use of drugs, particularly marijuana and the psychedelics. Marijuana is one of the best aphrodisiacs known to man. It enhances the senses, unlike alcohol, which dulls them. As any hippie can tell you, sex is a great high, but sex on pot is fuckin' far out![...] More importantly, the use of psychedelic drugs, especially LSD was directly responsible for liberating hippies from their sexual hang-ups. The LSD trip is an intimate soul wrenching experience that shatters the ego's defenses, leaving the tripper in a very poignant and sensitive state. At this point, a sexual encounter is quite possible if conditions are right. After an LSD trip, one is much more likely to explore one's own sexual nature without inhibitions.",
  107. "Many hippies on the spiritual path found enlightenment through sex. The, the manual from ancient India is a way to cosmic union through sex. Some gurus like Bhagwan Shree Rajneesh (Osho) formed cults that focused on liberation through the release of sexual inhibitions",
  108. , p. 201
  109. Sharkey, Mr.; Fay, Chris,, www.mrsharkey.com, archived from on November 13, 2007, retrieved 2007-10-19 
  110. . MrSharkey.Com. Archived from on November 2, 2012. Retrieved 2012-11-21. 
  111. - 1969: Woodstock music festival ends. "An estimated 400,000 youngsters turned up..." Retrieved December 21, 2013.
  112. "...nearly 500,000 revellers came together for three days and three nights and showed the world what a generation was made of..." Woodstock 1969 - The First Festival. Landy, Elliott. Ravette Publishing Ltd, 2009.  .
  113. Sherwood, Seth (April 9, 2006).. The New York Times Company. Retrieved 2008-09-11. 
  114. . Independent Online. January 30, 2001. Archived from on October 11, 2007. Retrieved 2008-09-11. 
  115. ^ - Danny Goldberg. Dissent Magazine Online. Internet Archive: Retrieved December 18, 2013.
  116. Bryant 2009, p. xviii.
  117. . Books.google.com. 1991.  . Retrieved 2014-02-03. 
  118. The Hippie Trip, Lewis Yablonsky, p. 298
  119. . Thefarm.org. October 6, 1966. Archived from on 1999-02-10. Retrieved 2012-11-21. 
  120. . Toke of the Town. December 23, 2010. Retrieved 2012-11-21. 
  121. Stephen Gaskin. Monday Night Class.  . 
  122. Sante, Luc (June 26, 2006)... 'Timothy Leary: A Biography,' by Robert Greenfield. Retrieved 2008-07-12. 
  123. Start Your Own Religion. Leary, Timothy. Millbrook, New York: Kriya Press. 1967. (The original 1967 version was privately published. It is not to be confused with a compilation of Leary's writings compiled, edited, and published posthumously under the same title.)
  124. Greenfield, Robert (2006).. Books.google.co.uk.  . Retrieved 2013-10-11. 
  125. chellow2 (1 May 2008). – via YouTube. 
  126. Ehrlich, Richard... Turner Broadcasting Systems Inc. Archived from on April 5, 2012. Retrieved March 22, 2012. 
  127. www.mediabistro.com. []
  128. - Otis Ryan Productions Blog, By Ryan Mifflin - February 16, 2012
  129. November 10, 2013, at the. - We Love Cult, retrieved September 19, 2012
  130. ... Retrieved September 19, 2012. 
  131. ^. Wikiwix.com. Archived from on 2016-03-04. Retrieved 2014-02-03. 
  132. . Chicago Tribune. Retrieved 2008-09-08. 
  133. Shannon, Phil (June 18, 1997),, Cultural Dissent, Issue # (278),, archived from on January 26, 2009, retrieved 2008-12-10 
  134. , p. 350.
  135. Junker, Detlef; Gassert, Philipp (2004), The United States and Germany in the Era of the Cold War, 1945-1990, Cambridge University Press, p. 424,   
  136. , pp. 32–39.
  137. ; Vicente Franco (2007).. PBS. Retrieved 2007-04-23. 
  138. ,
  139. (1982),, Crass. 
  140. Shibboleth: My Revolting Life, Rimbaud, Penny, AK Press, 1999.  .
  141. Vander Molen, Jodi.. The Progressive. The Progressive. Retrieved February 1, 2002. 
  142. Colurso, Mary.. The Birmingham News. The Birmingham News. Retrieved June 29, 2007. 
  143. , pp. 243, 257
  144. Inc., Gallup,.. 
  145. interview by Punto Digital, October 13, 2010
  146. Prichard, Evie (June 28, 2007).. The Times. London. Retrieved 2010-05-04. 
  147. Mary Ann Sieghart (May 25, 2007).. London: The Times. Retrieved 2007-05-25. []
  148. Kitchell, Mark (Director and Writer) (January 1990). (Documentary). Liberation. Retrieved 2009-05-10. 
  149. Barnia, George (1996),, Dallas TX: Word Publishing 
  150. Hip Inc.. Hipplanet.com. Retrieved 2012-11-21. 
  151. Baer, Hans A. (2004), Toward An Integrative Medicine: Merging Alternative Therapies With Biomedicine, Rowman Altamira, pp. 2–3,   
  152. Eardley-Pryor, Roger (2017).. Distillations. 3 (2): 38–41. 
  153. Kaiser, David; McCray, W. Patrick (2016). Groovy Science: Knowledge, Innovation, and American Counterculture. University of Chicago Press.  . 
  154. (2005), : How the 60s Counterculture Shaped the Personal Computer Industry, Penguin,   
  155. ^ Connikie, Yvonne. (1990). Fashions of a Decade: The 1960s. Facts on File.  
  156. Pendergast, Sara. (2004) Fashion, Costume, and Culture. Volume 5. Modern World Part II: 1946–2003. Thomson Gale.  
  157. ; publ. January 24, 2008; "Peace sign makes a statement in the fashion world". Retrieved June 10, 2012.
  158. The musical and a multitude of well known contemporary song lyrics such as The Age of Aquarius
  159. ^..com. Retrieved on August 9, 2009.
  160. (1998) "The Cambridge History of American Music",  ,  , p.372: "Initially, disco musicians and audiences alike belonged to marginalized communities: women, gay, black, and Latinos"
  161. (2002) "Traces of the Spirit: The Religious Dimensions of Popular Music",  ,  , p.117: "New York City was the primary center of disco, and the original audience was primarily gay African Americans and Latinos."
  162. "But the pre-Saturday Night Fever dance underground was actually sweetly earnest and irony-free in its hippie-dippie positivity, as evinced by anthems like M.F.S.B.'s 'Love Is the Message'." —Village Voice, July 10, 2001.
  163. Bryan, C. d. b. (August 18, 1968),, ', retrieved 2007-08-21 
  164. - What is a Jam Band? Retrieved from Internet Archive December 23, 2013.
  165. Clifton, Chas (2006).. Rowman Altamira.  . 
  166. Nambassa: A New Direction, edited by Colin Broadley and Judith Jones, A. H. & A. W. Reed, 1979.  
  167. The Sekhmet Hypothesis, Iain Spence, 1995, Bast's Blend.  
  168. "In 1969, Gilbert Levy left the Haigh Ashbury district of San Francisco and took the overland trail through Afganistan and PAkistan, first to Bombay and then to Goa...Throughout the 1970s, Gil organized legendary parties at Anjuna- moonlight jams of non-stop music, dancing and chemical experimentation that lasted from Christmas Eve to New Year´s Day for a tribe of fellow overland travellers who called themselves the Goa Freaks...In the 90s, Gil started to use snippets from industrial music, etno techno, acid house and psychedelic rock to help create Goa Trance, dance music with a heavy spiritual accent...For Goa Gil, Goa Trance is a logical continuation of what hippies were doing back in the 60s and 70s. "The Psychedelic Revolution never really stopped" he said, " it just had to go halfway round the world to the end of a dirt road on a deserted beach, and there it was allowed to evolve and mutate, without government or media pressures". Time Out: Mumbai and Goa. Time Out Guides Ltd. London. 2011 pg. 184
  169. McCleary, John Bassett. The Hippie Dictionary: A Cultural Encyclopedia of the 1960s and 1970s, Ten Speed Press, 2004.  
  170. Gates, David (July 12, 2004),,, retrieved 2008-01-27 
  171. Merritt, Byron (August 2004),, Fiction Writers of the Monterey Peninsula, archived from on October 12, 2007, retrieved 2008-01-27 

Works cited[]

  • (2004), Cannabis: A History, St. Martin's Press,   .
  • ; (1994),, V. W. Norton & Company, Inc.,   .
  • Dudley, William, ed. (2000), The 1960s (America's decades), San Diego: Greenhaven Press. .
  • Heath, Joseph; Potter, Andrew (2004),, Collins,   .
  • Grunenberg, Christoph; Harris, Jonathan (2005), Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s, Liverpool University Press,   .
  • (1993), The Dictionary of Cultural Literacy, Houghton Mifflin,   .
  • Katz, Jack (1988), Seductions of Crime: Moral and Sensual Attractions in Doing Evil, Basic Books,   .
  • Kennedy, Gordon (1998), Children of the Sun: A Pictorial Anthology From Germany To California, 1883–1949, Nivaria Press,   .
  • Lattin, Don (2004), Following Our Bliss: How the Spiritual Ideals of the Sixties Shape Our Lives Today, HarperCollins,   .
  • Lee, Martin A.; Shlain, Bruce (1992), Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond, Grove Press,   .
  • Lytle, Mark H. (2006), America's Uncivil Wars: The Sixties Era from Elvis to the Fall of Richard Nixon, Oxford University Press,   .
  • McCleary, John (2004), The Hippie Dictionary, Ten Speed Press,   .
  • Marty, Myron A. (1997), Daily life in the United States, 1960–1990, Westport, CT: The Greenwood Press,   .
  • Oldmeadow, Harry (2004), Journeys East: 20th Century Western Encounters with Eastern Religious Traditions, World Wisdom, Inc,   .
  • Pendergast, Tom; Pendergast, Sara, eds. (2005), "Sixties Counterculture: The Hippies and Beyond", The Sixties in America Reference Library, 1: Almanac, Detroit:, pp. 151–171 .
  • Perry, Charles (2005), The Haight-Ashbury: A History (Reprint ed.), Wenner Books,   .
  • (1991), Seize the Time: The Story of the Black Panther Party and Huey P. Newton, Black Classic Press,   .
  • (1998), Storming Heaven: LSD and the American Dream, Grove Press,   .
  • Stolley, Richard B. (1998), Turbulent Years: The 60s (Our American Century), Time-Life Books,   .
  • Stone, Skip (1999),, Hip Inc., retrieved 2017-08-13 .
  • (Summer 1981), "Tripping out from San Francisco", American Speech, Duke University Press, 56 (2): 98–103, :,  ,   .
  • Tompkins, Vincent, ed. (2001a), "Assimilation of the Counterculture", American Decades, 8: 1970–1979, Detroit:  .
  • Tompkins, Vincent, ed. (2001b), "Hippies", American Decades, 7: 1960–1969, Detroit:  .
  • (2006), From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism, University Of Chicago Press,   .
  • Yablonsky, Lewis (1968), The Hippie Trip, Pegasus,   .

Further reading[]

  • Binkley, Sam (2002), "Hippies",, archived from on 2007-04-22 – via FindArticles.com .[]
  • Brand, Stewart (1995), "We Owe it All to the Hippies", (Spring) .
  • Gaskin, Stephen (1970), Monday Night Class, The Book Farm,   .
  • (2001), From slogans to mantras: social protest and religious conversion in the late Vietnam war era, Syracuse University Press,   .
  • Mankin, Bill (2012),, Like the Dew .
  • Lemke-Santangelo, Gretchen (2009), Daughters of Aquarius: Women of the Sixties Counterculture, University Press of Kansas,   .
  • (2008),, New York: Ig Publishing,   .
  • (2006),, Penguin Books,   .
  • Mecchi, Irene (1991), The Best of Herb Caen, 1960–75, Chronicle Books,   .
  • Stone, Skip (1999),, Hip Inc.,   .
  • Young, Shawn David (2005), Hippies, Jesus Freaks, and Music, Ann Arbor: Xanedu/Copley Original Works,   .
  • (1997), "The Summer of Love – Gallery",, The Council for the Summer of Love, archived from on 2008-01-25, retrieved 2008-01-21 .
  • Bissonnette, Anne (Curator) (April 12 – September 17, 2000),, Kent State University Museum, archived from on January 18, 2008, retrieved 2008-01-21 .
  • Brode, Douglas (2004), From Walt to Woodstock: How Disney Created the Counterculture, University of Texas Press,   .
  • (2006),, Life and Society, CBC Digital Archives, retrieved 2008-01-21 .
  • (2003), The Portable Sixties reader, New York:,   .
  • Curl, John (2007),, New York: iuniverse,  , archived from on April 13, 2009 .
  • Howard, John Robert (March 1969), "The Flowering of the Hippie Movement",, 382 (Protest in the Sixties): 43–55, : .
  • Laughead, George (1998),,, retrieved 2008-01-21 .
  • Lemke-Santangelo, Gretchen (2009), Daughters of Aquarius: Women of the Sixties Counterculture, University Press of Kansas,   .
  • Lund, Jens; Denisoff, R. Serge (Oct–Dec 1971), "The Folk Music Revival and the Counter Culture: Contributions and Contradictions", The Journal of American Folklore, American Folklore Society, 84 (334): 394–405, :,   .
  • MacFarlane, Scott (2007), The Hippie Narrative: A Literary Perspective on the Counterculture, McFarland & Company, Inc.,   .
  • (1995), Hippie, Hippie, Shake: The Dreams, the Trips, the Trials, the Love-ins, the Screw ups—the Sixties., William Heinemann Australia,   .
  • (1996), Out of My Mind: From Flower Power to the Third Millennium—the Seventies, the Eighties and the Nineties, Penguin,   .
  • Partridge, William L. (1973), The Hippie Ghetto: The Natural History of a Subculture, New York: Holt, Rinehart and Winston,   .
  • (2006) [1991],,,   .
  • (2004),, Circle of Light Community Network, archived from on July 19, 2008, retrieved 2008-01-21 . See also:
  • Riser, George (Curator) (1998),, Special Collections Department. Library, archived from on January 11, 2008, retrieved 2008-01-21 .
  • Staller, Karen M. (2006), Runaways: How the Sixties Counterculture Shaped Today's Practices and Policies, Columbia University Press,   .
  • Stone, Skip (2000),, Hip Inc., archived from on 2009-07-05 .
  • (2000), "Owl Farm – Winter of '68",, Simon & Schuster,   
  • Walpole, Andy (2004), "Hippies, Freaks and the Summer of Love",, haroldhill.org, archived from on 2007-07-12, retrieved 2008-01-21 .
  • (1968),, New York: Farrar, Straus & Giroux .

External links[]

  • . A film part of ´s series. Includes the and other information on the San Francisco event known as the as well as other material related to the hippie subculture
  • —A Canadian program by the public network on the hippie rebellion including videos to watch
  • —Long running British discussion forum covering all aspects of the British Hippy Counter-Culture from the 1960s to present day.
  • —An archive with photographs of hippie culture.
  • —1960s and early 1970s hippie and youth culture on film and TV.



Похожие новости


Peace sign wallpaper for iphone 2018
Unbuttoned pants after eating
Newshautelinks 7 2 15
Decorated christmas tree photos 2018
Naturally curly black hair updos
Thigh high socks fashion




ШОКИРУЮЩИЕ НОВОСТИ